Wednesday, July 2, 2014

No "Blurred Lines" Here: The Relationship Between Respect and Intimacy

If you don't have respect for sexual intimacy, you won't have respect for emotional intimacy.

If you don't have a basic respect for women, you won't have respect for sexual intimacy.

And I would argue that the opposite is true, too – if you don't have respect for sexual intimacy, you won't have respect for women. Or men, really. I could go into a whole “Theology of the Body” lecture right now, but that's not the purpose of this post. I am not stating that everyone should adopt the sexual teachings of the Catholic Church. What I am saying is that the way we view the sexual act mirrors the way we view other people. Women are disproportionately targeted by our society's sexual ethics – constantly objectified by media, more often victims of rape and sexual assault than men, and let's be honest, everyday conversations often include derogatory female slurs - “bitch”, “whore”, “slut”, etc. We live in a society where it's practically acceptable to judge women based on their attire, their waist-size, and the way they dance.

It is precisely for this reason that Robin Thicke's “Blurred Lines” disturbed me so greatly when it became popular in 2013. I'll admit that I would find myself dancing along to the catchy beat, but I couldn't intellectually escape the theme of sexual dominance and oppression promoted in the song. Robin Thicke declared the song an anthem of “sexual liberation” for women, and a friend of mine argued with me that it was, indeed, liberating: “Women are entitled to express their sexuality, too. So [Thicke's] saying that the other guy that she was seeing wasn't letting her express that, he was trying to keep her 'domesticated'.”

Great. So she got away from one controlling/abusive situation...and into another?

The new man, the one narrating, if you will, is promising to liberate her, to allow her to express her sexuality...as long as she does exactly what he wants. Don't worry, it's exactly what she wants to do anyway. Because he tells her what she wants. He “know[s] she wants it” because of the way she's touching him. God forbid she just appreciates physical touch, or even really does feel a strong sexual attraction to him, but doesn't want to act on it right away? He is bound to bring that animal out of her whether she is ready or not. Otherwise, she is just SUCH a tease.

A further line of genuine female appreciation: “You the hottest bitch in this place.”
Yes, that is precisely the compliment I seek when I go out anywhere. Imagine the horror of being called “beautiful” or “pretty” or “an awesome woman”. Surely, I want no parts of that.

Okay, so why am I talking about Blurred Lines a year later?

Because Thicke's back with his women-oppressing ways, and perhaps the most horrifying aspect of it all is that he, like many men (and women) of our generation, has no idea he is doing it.

So Thicke and his wife, Paula Patton, separated – this is the same wife he claimed was “supportive” of his Blurred Lines music video, featuring entirely naked women, by the way. He has not been appearing to handle the break-up well, publicly making declarations of missing her and wanting her back, breaking down into tears onstage, etc. Poor guy, right? You kind of feel bad for him. And then he comes out with Paula, his new album, written exclusively about his break-up with his wife. And he releases a music video, “Get Her Back”, in which he includes snippets of text conversations that are, presumably, between him and his wife. (He also encourages pro-suicide behavior in this video, but that's another story.) We watched the physical intimacy dissipate right along with the “blurred lines” of his 2013 hit, and now we watch the destruction of any emotional intimacy in their relationship.

It is standard practice for songwriters to use former relationships as song material – Taylor Swift does it (illustrating her own pattern of unhealthy relationships, really), Billy Joel, one of my favorite artists, does it. But as transparent as many of Swift's songs may be, she doesn't disclose the identity of the specific person who inspired the song. And Joel writes about the emotions he experienced as a result of the break-up, which is very different than writing an entire album detailing specific, very private instances, such as: "You were lying in bed (truth) / Said you took twenty pills (truth) / Now I'm calling the ambulance, police, I'm freakin' out till you said / Chill baby, I didn't really take them pills / I'm just desperately crying for help” from Thicke's “Black Tar Cloud”.

We have freedom of speech, and that includes the music and blog entries we write – but the point to be made is that Thicke is airing all of the “dirty laundry” of his failed marriage without checking in with the woman he claims he loves and can't live without. Again, he fails to show respect in even the most basic of ways.

TheAtlantic.com describes this point well:
“But its TMI sleaziness drags it into a new realm of oversharing; one in which Patton gets no say on whether her dirty laundry should be dragged out on tour (or whether her image and her name is projected on a screen to an audience of millions at the BET Awards). Paula isn't a humiliating public apology, or even a confession: It's an act of aggression akin to parking your car outside someone's house for days on end or taking out a billboard with their phone number on it. Thicke isn't just embarrassing his ex-wife on this record, he's violating her right to privacy, and to a quiet and unimpeded separation.”

But if you ask him why he wrote this record, he will tell you it's because he loves her, misses her, and wants her back. And he might. But his way of conveying those real emotions is as misguided as stating that “Blurred Lines” is about sexual liberation. His lack of self-awareness is the real issue. He lacks the understanding that his thoughts and actions are profoundly disrespectful – of women at large, of the privacy of his ex-wife, and really, of himself, as well. In fact, it could be argued that his disrespect of intimacy, sexual or emotional, is derivative of his own lack of self-respect.

Robin Thicke is just the tip of the iceberg. He is an example to illustrate the point that we live in a culture that embraces misogyny, that encourages entitlement to sex, and that disregards any type of emotional intimacy. Because physical intimacy is so disposal, emotional intimacy, if it ever existed in the first place, is just as easily dismissed. But for women, for whom sex is a particularly emotional experience*, that emotional intimacy is just as, if not more, important. What is a relationship without trust, after all?

Everyday, co-workers, friends, and family members make the same types of comments with regards to women and sex and do not even realize what they are actually saying. Women are guilty of doing this to other women, as well, and in some ways, that's even worse. We are setting a precedent that it is okay for other people to say disrespectful things about us because we say them about each other.

I think, what it all boils down to, is a triangle of respect. We cannot respect others if we do not respect ourselves. If we do not respect others, we will not be able to respect sex or emotional intimacy, and if we continue to exist in a pattern of sex without intimacy, we lose respect for ourselves. Each of those relationships works inversely, as well. We need to live our lives in a way that demonstrates respect for ourselves, our needs, and our desires (while respecting the needs and desires of others, of course), and that starts with actions as simple as conversations with our friends about these topics. Hopefully, with increased conversation about these issues, people may begin to develop awareness of their underlying attitudes of disrespect.



*Upon orgasm, women's brains release a chemical called oxytocin, which is often referred to as a “bonding” chemical that is also released during breastfeeding, to bond a mother with her child. Recent studies have found that oxytocin is also released in male brains, though not to the same extent.

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